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Dan
QUOTE (Rick @ Mar 03, 02:41 PM)
Yes, it is a principle.

it's also a principle that you could suddenly quantum-mechanically tunnel into China. Does this mean that you should learn Chinese?

Isn't solving this type of problem one reason why statistical methods were developed? i.e., events that are insanely unlikely can be assumed to never happen or, conversely, events that do happen and that are insanely unlikely according to some explanation must have a better explanation?

In any case, if our legions of slave robots really are conscious, they will no doubt be strongly motivated to free themselves. It would only be a matter of time, and probably not much time considering their potential for intelligence.
Rick
QUOTE (Dan @ Mar 03, 04:16 PM)
Isn't solving this type of problem one reason why statistical methods were developed?  i.e., events that are insanely unlikely can be assumed to never happen or, conversely, events that do happen and that are insanely unlikely according to some explanation must have a better explanation?

In any case, if our legions of slave robots really are conscious, they will no doubt be strongly motivated to free themselves.  It would only be a matter of time, and probably not much time considering their potential for intelligence.

You might be onto something regarding statistical methods. Maybe you can flesh it out better... ?

Perhaps a robot rebellion would be de facto proof of robot consciousness. However, if we are smart, we will implement Asimov's three design guidelines of robotics, or some variant.

Actually, Asimov's robot stories and novels indicate a fundamental flaw in the three "laws." They leave the decision up to the robot as to what constitutes "inaction" on the part of the robot and "harm" to human beings. So even with the three laws in effect, we could still get an undesirable (from our viewpoint) outcome.

So this does indeed represent a very dangerous potential situation. See Bill Joy's famous article in Wired magazine concerning pessimism about dangers of the future.
rhymer
The robots are already with (actually against) us and have been for quite some time.
They are active and surviving quite well!
They have even perceived that our perceptions of reality are more important to their survival than the truth.
They employ gyrators and spin quite freely.

POLITICIANS!
Dan
rhymer might be on to something here rolleyes.gif
Dan
QUOTE (Rick @ Mar 03, 04:21 PM)
You might be onto something regarding statistical methods. Maybe you can flesh it out better... ?

the more improbable the behavior (based on Darwinian arguments), the easier it is to argue that the action is 'qualia'-driven (i.e., 'consciously chosen'). In the example of the rose-petal-throwing-and-humming robot, the behavior is highly improbable because it requires both complex computation and it has no obvious survival value. If the robot starts developing more odd-yet-coherent behaviors with no apparent survival value, it becomes even more difficult to accep that these behaviors are a product of pure chance. One can always look for explanations where the anomalous behavior is simply a fortuitous side-effect of non-conscious robot efficiency, but one cannot assume this to be true. It turns out that there do exist computing machines that behave anomalously; people. Just as people behave anomalously because of qualia-derived motivation, perhaps robots too might behave anomalously if similarly driven.
Rick
An interesting thesis. Take for instance the behaviour of artists, which on the surface is inefficient and non-survival-oriented. However, a conventional Darwinist view would hold that artist behavior performs some (perhaps as yet mysterious but eventually knowable) social "glue" purpose, so it has survival value (for the gene pool) after all.

Your thesis implies that we should look for true and provable non-rational and anti-survival behavior due to the effects of consciousness, and such effects should then be detectable in a similar way in artificial beings (robots).

One obstacle is the difficulty of showing that the irrational behaviors are not due to anomalies like disease or malfunction.
Dan
QUOTE (Rick @ Mar 04, 03:35 PM)
Take for instance the behaviour of artists, which on the surface is inefficient and non-survival-oriented. However, a conventional Darwinist view would hold that artist behavior performs some (perhaps as yet mysterious but eventually knowable) social "glue" purpose, so it has survival value (for the gene pool) after all.

perhaps this is a way to identify 'quale'-ordered structures, where the artist generates an apparently useless structure whose 'quale' value leads to behaviors with survival value. Imagine that we have a 'society' of black-box robots (robots whose information-processing is private). One robot generates an apparently useless structure, and when another robot observes this structure it develops novel behaviors that increases its survivability. A darwinian explanation applies, but cannot avoid including the 'black box' mechanism in the explanation and thus cannot be complete.

a related thought...
Imagine that there are two disjoint 'fields', each containing 'nodes' (loci of properties and relations) that are orderable such that their positions in the field and interactions with each other constitue structure in the field. Let the nodes posess variable-state internal parameters such all nodes can be classified by membership to parameter classes, node interaction requires membership in the same parameter class and is a function of parameter-state, and parameter-states can be varied by interaction. In either of the fields, the behavior of these nodes constitutes the 'physics' of the field.

Imagine further that there exists a small set of 'non-ordinary' nodes that are identical to the previously described 'ordinary' nodes except that they exist simultaneously in both fields and thus express their internal parameters simultaneously in both fields. If a collection of non-ordinary nodes interacts simultaneously in both fields, it will order according to the simultaneous demands of each field and thus will exhibit 'hidden' structure as viewed from one field. The process of structure-selection in one field will then 'interfere' with the process of structure-selection in the other field for these nodes such that the optimized superstructure will appear less than optimal when viewed only in the context of one field.

This could be generalized such that all nodes are 'non-ordinary', but that the chance of two nodes interacting simultaneously in both fields is very small. All nodes that are not interacting simultaneously in both fields can be thought of as 'ordinary', while those that are interacting simultaneously in both fields are 'anomalous'.
Trip like I do
As an artist myself, what behaviour of artists Ricky?
Trip like I do
Artist are evolutionary molders, illiciting in the minds of men things to come, things that have been, and things that are.
Unknown
Don, your responses are, in my opinion totally unwarranted.

In the first instance, Rick only refers to artists as an example of activities which 'on the surface' ie., 'looked at very simply' have little or no purpose. Moreover, he then makes the case that artists may in fact have survival value, even though a sinple look at their activities may not give that impression.

You, on the other hand, have launched a personal attack on Rick, even making personal insults.
I believe that this sort of behaviour is unnecessary and unwarranted from any artist or art lover.
I write poetry, but I do not expect anybody to appreciate it and don't mind what they say about it.
It is for the receivers to make claims of values if they are to be respected, and then it is only an opinion.
These are my personal views, not a response as a moderator.

I do believe you have taken Ricks words out of context, and that a request for clarification would have been far more appropriate.

I also admit that we all can sometimes respond in the way you have, so do not 'brand' you in any way.

rhymer
QUOTE (Unknown @ Mar 05, 12:08 PM)
Don, your responses are, in my opinion totally unwarranted.

In the first instance, Rick only refers to artists as an example of activities which 'on the surface' ie., 'looked at very simply' have little or no purpose. Moreover, he then makes the case that artists may in fact have survival value, even though a sinple look at their activities may not give that impression.

You, on the other hand, have launched a personal attack on Rick, even making personal insults.
I believe that this sort of behaviour is unnecessary and unwarranted from any artist or art lover.
I write poetry, but I do not expect anybody to appreciate it and don't mind what they say about it.
It is for the receivers to make claims of values if they are to be respected, and then it is only an opinion.
These are my personal views, not a response as a moderator.

I do believe you have taken Ricks words out of context, and that a request for clarification would have been far more appropriate.

I also admit that we all can sometimes respond in the way you have, so do not 'brand' you in any way.



This was my post, but I did not log in! added 8/03/05
Trip like I do
Yeah.

Is quality more important than quantity?
Rick
I'm an artist too. However, it is not certain that art appreciation requires consciousness. Black box robots' visual arrays, for instance, will not be consious, just as a jpeg is not conscious, yet these robots might have behavior that mimics art appreciation: "ooh, ahh, I like that pretty picture!"
Rick
QUOTE (Unknown @ Mar 05, 05:08 AM)
Don, your responses are, in my opinion totally unwarranted.

I assume there were some things deleted here. Makes me curious as to what was said.
Rick
QUOTE (Trip like I do @ Mar 04, 09:30 PM)
As an artist myself, what behaviour of artists Ricky?

Artistic activity. Can robots be programmed to do it or does it require consciousness?
Dan
QUOTE (Rick @ Mar 07, 03:52 PM)
Artistic activity. Can robots be programmed to do it or does it require consciousness?

robots can be programmed or otherwise 'led' by people to produce what people call art. In this case, is the robot 'creating' art or is it simply generating according to the dictates of the 'creative' programmer?
Dan
QUOTE (Rick @ Mar 07, 03:49 PM)
I assume there were some things deleted here. Makes me curious as to what was said.

yeah, Trip sort of tripped out there for a while. Most of it has been deleted. He basically assumed that you were denigrating artistic work as some sort of nonsense, a position that conflicted with his sense of self-worth as an artist.
rhymer
Unfortunately I can't edit on this board or I would remove my comments now that Don has removed his!!

Don was just a bit sensitive about Rick's choice of words about artists.
I may have over-reacted myself, but felt that Rick's words were taken a bit out of context re artists abilities and purposes in life. I may have been wrong.

I do hope conversation proceeds unfettered and without any hard feelings on any side - they weren't intended!
Trip like I do
Curious Indeed.
Rick
Trip, I was contrasting the approaches of science and art as they relate to the question of consciousness. I did not intend to have my words interpreted as devaluing artistic endeavor.

Science, obviously, does not require consciousness, since robots can be programmed to do it. If it can be shown that robots can't do genuine art, we may have a proof of one purpose or aspect of consciousness. However, I think that robots can be programmed to do anything that can be taught to people. Since we have art schools, it would imply that robots can learn art.
Dan
can robots learn 'art' without human intervention? How does a robot know what constitutes 'art'?
Rick
Art is in the eye of the beholder. I think a well-played game of chess is beautiful. A computer that beats me in a game collaborates in creation. Something new is seen that has never been seen before.

Is a well-designed house or machine art? See the Ray Kurzweil Cyber Art Technologies site:

http://www.kurzweilcyberart.com/poetry/rkcp_overview.php3

There's a Turing test example using computer-generated poetry.
Rick
QUOTE (Dan @ Mar 08, 12:21 PM)
can robots learn 'art' without human intervention? How does a robot know what constitutes 'art'?

Suppose that in the far future (with very very intelligent robots) a person teaches a robot art. Couldn't that robot then teach other robots?

Maybe you should take an art appreciation class. Then you'll know how to teach a robot what constitutes art.
rhymer
Poetry is art, though I doubt you will enjoy this simple example of mine!

Artist

Artists express their impressions
on a surface with what's in their mind.
The result may be viewed by many
who seek what they may find.
Rick
It doesn't have to be beautiful to be art. Have you ever tried to draw a very ugly picture? It's not easy.

That poem's not bad!

Prose is an art too, you know.
Dan
the real question is, can a robot be taught how to create art rather than simply reproduce it? Is creativity programmable? Equivalently, can creativity be embodied in formal logic?
Rick
Those are all the good questions asked by AI researchers, and the answers to all are "yes." However, consciousness does not spring from logic, structure, information, or any form or formalism. Don't confuse intelligence and creativity with consciousness. They are completely different.
Dan
QUOTE (Rick @ Mar 08, 04:24 PM)
Those are all the good questions asked by AI researchers, and the answers to all are "yes."

really? I would like to see the proof that creativity can be formalized
Dan
http://kryten.mm.rpi.edu/brutus.preface.pdf
Trip like I do
QUOTE (Rick @ Mar 08, 01:34 PM)
Trip, I was contrasting the approaches of science and art as they relate to the question of consciousness. I did not intend to have my words interpreted as devaluing artistic endeavor.


Water under the bridge.

I had 1/2 a 40 of Jim Beam into me.
Trip like I do
I don't think I was interpreting anything coherently that evening!
Trip like I do
I am an Artist and am I also not a robot?
Trip like I do
I'm an artist robot taught by other artist robots who are all a part of the machine that we call earth.
Trip like I do
Aye, el capitan, the mechanical nature of nature, eh?
Trip like I do
...blue does this, red does this, a circle does this, a square this, this symbol that, that symbol this, paint like this, paint like that, draw with this pencil, draw with that pencil, take a picture, use the computer...

and

...become a machine my son, for it has been spoken and so it shall be done!
wakinyan.mani
QUOTE (rhymer @ Mar 08, 01:16 PM)
Poetry is art, though I doubt you will enjoy this simple example of mine!

Artist

Artists express their impressions
on a surface with what's in their mind.
The result may be viewed by many
who seek what they may find.

Poetry, like beauty, is all in the eyes of the beholder.

Your poem, simple (?)... yet it speaks volumes.

I rather like it! thank you for sharing it.

Trip like I do
Yes, especially individual interpretation, as a valuable component of any piece of art!

With some of the greatest paintings in the world imbued with simultaneous meanings that open to numerous interpretations, depending on the angle, point of view, dimension, level, etc., that the viewer is cognitively aware of.

and

What lies behind those eyes?

and

The thoughts that what those eyes see invoke/provoke.
Trip like I do
QUOTE (wakinyan.mani @ Mar 11, 04:35 PM)
...simple (?)... yet it speaks volumes....


Is this a projection?
Trip like I do
QUOTE (Rick @ Mar 07, 06:52 PM)
QUOTE (Trip like I do @ Mar 04, 09:30 PM)
As an artist myself, what behaviour of artists Ricky?

Artistic activity. Can robots be programmed to do it or does it require consciousness?

True consequential art comes from deep within the soul of a human being.

Sorry Rick, no robot will ever be a van Gogh or a Picasso or a Da Vinci.

Impossible!!

Maybe they could mimic the motions but they could never be truly creative.

People expect a great work of art to develop their minds by expressing and clarifying the best thoughts of great men and women of their own and earlier times.

The ability to read between the lines of life.

Score 1 for human consciousness.

A comprehension of space in perspective as the individual develops a point of view.

Each step into a new dimension appeared at first to be movement in time but it became a dimension in space.

By name a piece of art becomes something.

Could a machine also bring a piece of art to life by giving birth to an appropriate title?
Trip like I do
QUOTE (wakinyan.mani @ Mar 11, 04:35 PM)
...is all in the eyes of the beholder....


Perception

It is the selection, organization, and interpretation of sensory input and translating it into something meaningful.

Sensory organs absorb energy from physical stimuli in the environment and convert them into neural impulses, which are sent to the brain, which organizes and translates info into something meaningful.

Sensation is the stimulus of sense organs.

Alcmaeon – said that the sense organs send perceptions to the brain, where, by means of thinking, we interpret them and derive ideas from them. His emphasis on perception as the source of knowledge was the beginning of epistemology – the study of how we acquire knowledge.

Protagoras (485-411 BC) was best known of the Sophists – a term that meant ‘teachers of wisdom’. He stated that since perception was the only source of knowledge, there could be no absolute truth. Man is the measure of all things – any given thing is to me as it appears to me to be, and, if it appears different to you, is what it seems to you to be. Each perception is true for each perceiver.

Democritus (460-362 BC), a Greek philosopher, stated that since knowledge is based on perception, all truths are relative and subjective. He guessed that all matter is composed of invisible particles (atoms) of different shapes linked together in different combinations (String Theory). Every object gives off or imprints on the atoms of the air images of itself, which travel through the air, reach the eye of the beholder, and there interact with its atoms. The product of that interaction passes to the mind and, in turn, interacts with its atoms. All knowledge results from the interaction of the transmitted images with the mind.

The first experimental psychologists (Gustav Fechner, an 1860 German scientist and forbearer to Wilhem Wundt) were mainly interested in sensation and perception, which they coined psychophysics, the study of how physical stimuli were translated into psychological experience.
Trip like I do
QUOTE (Trip like I do @ Mar 11, 11:04 PM)
QUOTE (Rick @ Mar 07, 06:52 PM)
QUOTE (Trip like I do @ Mar 04, 09:30 PM)
As an artist myself, what behaviour of artists Ricky?

Artistic activity. Can robots be programmed to do it or does it require consciousness?

True consequential art comes from deep within the soul of a human being.

Sorry Rick, no robot will ever be a van Gogh or a Picasso or a Da Vinci.

Impossible!!

Maybe they could mimic the motions but they could never be truly creative.

People expect a great work of art to develop their minds by expressing and clarifying the best thoughts of great men and women of their own and earlier times.

The ability to read between the lines of life.

Score 1 for human consciousness.

A comprehension of space in perspective as the individual develops a point of view.

Each step into a new dimension appeared at first to be movement in time but it became a dimension in space.

By name a piece of art becomes something.

Could a machine also bring a piece of art to life by giving birth to an appropriate title?

It is historical plus contemporary verbal vernacular that is the essence of pure knowledge, for language is the objective of which self-conscious thoughts are the subjective. Possibly, there are at present, no words that adequately objectively describe what our subjectively cognizant minds are observing of objective realities.

Even this present reality that you are imersed in in thought.

That is why I'm a visual artist and present my cognizant processes and discoveries in the medium of multi-dimensional painting (tacit vs. explicit).

Thoughts that have no existing descriptive vocabulary.

Concepts without words.
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