Rainer Maria Rilke
1875-1926
(Widely considered one of the greatest lyric poets of 20th century German Literature.)
Lament
O How is everything is so far away
and so long ago departed.
I believe that the star from which
I receive such glittering light
has been dead for thousands of years.
I believe that something
frightening was said
in the boat which just passed by.
In a house, a clock
has marked the hour . . .
In which house? . . .
I would like to leave my heart behind
and step out under the immense sky.
I would like to pray.
That one of all these stars
must certainly still exist.
I think I know
which one
has endured,—
which one, at the end of its heavenly ray,
stands like a city of white light . . .
Entrance
Whovever you are: step out in to the evening
out of your living room, where everything is so known;
your house stands as the last thing before great space:
Whoever you are.
With your eyes, which in their fatigue can just barely
free themselves from the worn-out thresholds,
very slowly, lift a single black tree
and place it against the sky, slender and alone.
With this you have made the world. And it is large
and like a word that is still ripening in silence.
And, just as your will grasps their meaning,
they in turn will let go, delicately, of your eyes . . .
Evening
Slowly the evening changes into the clothes
held for it by a row of ancient trees;
you look: and two worlds grow separate from you,
one ascending to heaven, another, that falls;
and leave you, belonging not wholly to either one,
not quite as dark as the house that remains silent,
not quite as certainly sworn to eternity
as that which becomes star each night and rises—
and leave you (unsayably to disentangle) your life
with all its immensity and fear and great ripening,
so that, all but bounded, all but understood,
it is by turns stone in you and star.
The Neighbor
Strange violin, are you following me?
In how many distant cities has your
lonely night already spoken to mine?
Are a hundred playing you? Or just one?
Are there in all the great cities of the world
those, who without you, would have
already lost themselves in the rivers?
And why does it always have to concern me?
Why am I always the neighbor of those
who in fear force you to sing
and to say: The heaviness of life
is heavier than the heaviness of all things.
Progress
And once again the depths of my life rush onward,
as if they were moving in wider channels now.
Things are becoming more close to me
and all images more thoroughly looked upon.
I feel more comfortable with that which is nameless,:
With my senses, as with birds, I reach up
into the windy heavens out of the oak,
and in those pools broken off from the day,
my feeling, as if standing on fishes, descends.