(more email from grandma)
An email going around from Dr. Mark S. Komrad
I have just returned from seeing Gibson's, movie "The Passion of the
Christ." I wanted to share my opinions with you, if you chose to read
them. I viewed this film as a Jew and a psychiatrist, along with about
30 other Jews. I wished to see it in order to evaluate it for myself in
the midst of the enormous controversy surrounding it, and various claims
that it was either benign or malignant in its depictions of the Jews.
In viewing the media and the buzz all over the internet about this
movie, I think this is the single most controversial and publicized film
of my lifetime. Therefore, I feel compelled to weigh in with my opinion
to some of my own correspondents.
It was the unanimous opinion of all 30 Jews in attendance, including
myself, that any journalist, critic, or clergypers on who pronounced this
film "benign" for the Jews must have seen a different version than is
currently being screened in theaters. Despite being very open going into
it, and hopeful, I am sad to report that I find this movie the most
potentially disastrous development for Jewish public relations that I
have personally encountered in my lifetime, outside of recent events in
Israel.
In its flagrant violation of almost every guideline the Vatican has
issued regarding how the Passion story should be depicted, the Jewish
people and its leadership are shown clearly and without ambiguity to be
the instigators of the betrayal and horrible torture of Jesus--depicted
with extreme gruesomness. In fact, the Jewish leadership, backed by huge
masses of the Jewish people, are shown in the most explicit way to put
pressure on Pontius Pilate to not just kill Jesus but to subject him to
the tortures that would become an essential and detailed part of his
martyrdom in history. The portrayal of the guilt of the Jewish people
and their leadership is not subtle, and its difficult "spin doctor" it
away. As an audience member, I found myself having very negative
feelings towards the Jews who are shown to recruit the pre-existing
sadism of the Romans to make an example of a prophet who was subverting
the Jewish status quo by claiming to be the Messiah.
Many of you know that I have been lecturing for several years about how
Hollywood depicts psychiatrists. I became interested in this because,
the primary instrument of public education today is the movies, and most
of what people know about who psychiatrists are and what they do is from
the cinema. In this case, though the Bible may be the most read book in
the world, the public now gets its education far more from the movies
than even the Bible. Movies now are to public education, what
stained-glass windows and architrave carving s were for the masses
attending Cathedrals in the Middle Ages--the public educator of the
masses.
More importantly, movies are so powerful, so psychologically arousing,
so present, that the facts they teach may actually be less important
than the emotional impressions they leave behind. Long after the factual
aspects of a movie plot fade from memory, the emotional residue
persists, leaving an "aftertaste" in the unconscious which is far more
instrumental in forming opinions, in my professional experience, than
rational arguments or facts.
This is why "The Passion" is a disaster for the Jews. The FEELING one
gets for the Jews in the film is horribly negative, indeed evil. There
are actually many images of Satan in the movie, moving amongst the
masses of jeering Jewish people, leaving a powerful impressionistic
image associating Jews with evil. Their role in precipitating,
facilitating and even applauding the suffering of J esus is blasted into
the viewer through every aspect of the movie's craft: the plot, the
music, the photography, expressions on the faces of the Cohanim (the
high priests). At the end, there is an earthquake rupturing the Jewish
Temple, and the high priest is in terror. It doesn't take sophisticated
powers of abstraction to see this scene as divine punishment for an
awful deed committed by the Jews. God is shown to be very angry with
them.
Remember, this is not "just a movie." This is the story of the Christian
God. It is no metaphor to say this is "Gospel". It may not accurately
represent the Gospel of John, from which it is drawn. But its a movie,
and now movies outrank even the Bible--not in the conscious, but in the
collective unconscious.
Even a rational, educated, historically savvy moviegoer is very likely
to leave this film with an extremely negative impression of the Jews. I
did! Without getting into discussions a bout Mel Gibson, his father, his
conscious intentions, his unconscious intentions, just looking at the
film for itself rather than at its maker, I am deeply troubled.
The beast of anti-Semitism is an ancient one. At best it slumbers; it
has not died. Recent world events show that this beast is now awakening,
especially overseas. It has still been largely slumbering here in
America. I truly worry that the sleeping beast can be aroused by this
film, and the awakened beast overseas can be incited into agita. The
Passion story has been one of the primary recurrent triggers of the
human shadow and its horrors for almost 1500 years, a perennial stimulus
to anti-Semitism--even in some of the most enlightened epochs of history
(e.g., "the Golden Age" of Spain).
This movie has the power to percolate amongst the coffee grounds of the
unconscious, to create a deep impression, a taste, a feeling which can
trickle through the filter of peo ple's religious "passion," and brew a
dark elixir indeed.
One might say: "People are too enlightened nowadays to fall prey to
these kinds of feelings, too educated, trained to be sensitive,
thoughtful and rational." My answer to this is that such optimism is
delightful, and comforting, but represents a rather sophomoric view of
human psychology. It fails to take in the lessons of such things as the
Holocaust (which Gibson Sr. rejects as real and therefore has no
lesson), Rwanda, 9/11, gay-bashing, Ireland, the Middle-East, and a sad,
long litany of other contemporary demonstrations of the human shadow
unleashed, often by educated, enlightened, God-worshiping people.
It is actually my opinion that all Jewish people should see this
film--not to give money to El Gibson, but to see what has the potential
to be an alarm clock which can awaken the beast. We have to know what we
face, and it isn't pretty. Then, we all need to educ ate ourselves about
the known historical facts of the story, the contradictions of the
Gospels, the distortions of those very Gospels by this film and the more
enlightened views of the contemporary Catholic Church. We need to
proactively try to recruit the consciousness of Christians who see this
film to fortify conscious understanding, which is the only way to
neutralize the unconscious, hateful impressions about the Jews. which
the film instills.
If I, a devoted Jew, can walk out of this film hating the Jews depicted
therein, how much more affected will be a devoted Christian? Through
discourse about this film between Jews and Christians (informed by
actually seeing the film, not just be reading emails like this and
reviews--like Newsweek's--designed to keep peace and calm) we may have
some hope of helping to keep that awful beast slumbering-along until,
one day, it dies.
http://www.komrad.yourmd.com/